Free PDF Fanny Hill: Memoirs of a Woman of Pleasure
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Fanny Hill: Memoirs of a Woman of Pleasure
Free PDF Fanny Hill: Memoirs of a Woman of Pleasure
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One of the most prosecuted and banned books in history. The classic novel of a young girl's exploration of physical pleasures. Young Fanny Hill is tricked into a life of prostitution, but she quickly learns the power of her own body as she learns the ways of physical passion. She soon escapes her fate for the loving arms of a wealthy young man, but misadventure and fate conspire to keep her from domestic bliss.
Instead, Fanny discovers that sex need not be just for love; that it can be had for pleasure. She then sets out to explore those pleasures in as wide a variety as she can. With old men and young, and women as well; in positions of power, and situations where she has none; either watching or participating, Fanny's journey through the realms of sexual pleasure is a literary tour-de-force.
Explicit Language Warning: you must be 18 years or older to purchase this program.
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Audible Audiobook
Listening Length: 9 hours and 3 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Oregan Publishing
Audible.com Release Date: July 17, 2018
Whispersync for Voice: Ready
Language: English, English
ASIN: B07F7G39R3
Amazon Best Sellers Rank:
... At the same time, allow me to place you here an excuse I am conscious of owing you, for having, perhaps, too much affected the figurative style; though surely, it can pass nowhere more allowable than in a subject which is so properly the province of poetry, nay, is poetry itself, pregnant with every flower of imagination and loving metaphors, even were not the natural expressions, for respects of fashion and sound, necessarily forbidden.Although rife with typos (were they ALL in the original edition?) and currently unavailable, this is a serviceable (fre)e-book of an 18th Century classic.Fanny is the female Odysseus- she sees the ways of many men, and then sails home again.Men, and monsters.. Let me quote an early passage at length:Imagine to yourself, a man rather past threescore, short and ill-made, with a yellow cadaverous hue, great goggle eyes, that stared as if he was strangled; an out-mouth from two more properly tusks than teeth, livid lips, and breath like a Jake's: then he had a peculiar ghastliness in his grin, that made him perfectly frightful, if not dangerous to women with child; yet, made as he was thus in mock of man, he was so blind to his own staring deformities, as to think himself born to please, and that no woman could see him with impunity: in consequence of which idea, he had lavished great sums on such wretches as could gain upon themselves to pretend love to his person, whilst to those who had not art or patience to dissemble the horror it inspired, he behaved even brutally. Impotence, more than necessity, made him seek in variety, the provocative that was wanting to raise him to the pitch of enjoyment, which he too often saw himself baulked of, by the failure of his powers: and this always threw him into a fit of rage, which he wreaked, as far as he durst, on the innocent objects of his fit of momentary desire.Cleland wrote this as a 'pot-boiler' to get himself out of debtor's prison, but the language is clear and forceful, not elegant but also never coarse. I could easily quote a 'warm' scene or two, but instead listen to this:As soon as he had disengaged, the charming Emily got up, and we crowded round her with congratulations and other officious little services; for it is to be noted, that though all modesty and reserve were banished from the transaction of these pleasures, good manners and politeness were inviolably observed: there was no gross ribaldry, no offensive or rude behaviour, or ungenerous reproaches to the girls for their compliance With the humours and desires of the men. On the contrary, nothing was wanting to soothe, encourage, and soften the sense of their condition to them. Men know not in general how much they destroy of their own pleasure, when they break through the respect and tenderness due to our sex, and even to those of it who live only by pleasing them.Although not quite as fond of this book as when I first read it, I still rate it very high among books of its time, and among books of its kind.
The story is full of sexual overtones, innuendos, euphemisms and double meanings. It is wordy in the style of English conversations in the eighteenth and nineteenth centuries. The sentences are wayyyy toooo long and hard to follow. The romance theme is typical of romance novels of years past as well as modern times I.e., an early teen age sexual incident followed by years of separation then a loving reunion at the end. It is a classic considering the time of publication and banned, no doubt, by the men (who were in control) so that females could be kept ignorant of the sexual activities contained in the book.
The novel, for what it is, is an excellent piece of work - and the first erotic novel. But what will draw your attention as much as the subject, is the masterful command of the English language and turn of phrase. The 1,001 subtle descriptors and metaphors for any single act or 'item' without repetition. It might make you long for the days when large and creative vocabularies were routinely treasured, rather than abridged as much as possible. But make no mistake - read an excerpt somewhere - even by 21st century standards, it's pretty steamy stuff.
Clearly, the forward use of metaphors and similes in such a skillful and unabashed manner distinguishes the book as a literary Great.The eloquent skill aside, Cleland paints a torrid imagery on the canvas of 1740s London.
This is by no means to be taken as a factual or documentary account of an actual country girl's exploits in 18th century London. In addition, this is not one man's perverted erotic tale meant to amuse himself in prison. If you should read this book, word for word, you will understand a few things, aside from the exploitation of young women into sexual slavery, of course, that is the main tragedy of the book, but I think Cleland wants us to somehow look past that and into this bizarre world, whether his vision is accurate or not, and to see the persistence and optimism of a young woman who has lost every shred of control a human could hope for over her life. Not only that, but through this scenario, Cleland permits himself to explore the delights of the body, the mind, and the heart. It is believed that, since one of his early dear friends wrote a document about homosexual male sex, that perhaps he and Cleland had been lovers. The chain of conclusions then leads to the proposition that Cleland himself was homosexual and that he adopted the voice of a young woman to explore the delights of the male gender. However, I propose that aside from heterosexuality or homosexuality, Cleland constructs a world in which the reader, if willing, is prompted to open up to ideas of the beautiful variations of the shape of the human body, its secret rewards, surprises, and pleasures. Cleland, if anything, is pansexual, as is Fanny Hill. Notably, the book's single homosexual scene, witnessed by Fanny, via the ever-present spy hole in the wall at the brothel, leaves her incensed! She runs away in revulsion, which, given her history, seems an unduly harsh reaction; her exclamation regarding the incident? "They had sex without a woman! There was no woman involved!" At the end of the day, Fanny Hill is a story of humanity, sexuality, gender roles, gender rights, exploration and liberation.
Ordered this often referred to book on Kindle. Inside is 6 pages of what I can only guess is advertisement for financial services. Never had that happen w a Kindle purchase before. Hoping it isn't a trend.
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